With a title like a comforting whisper, director Ray Yeung’s “All Shall Be Well” takes us on a heartfelt journey through the lives of a lesbian couple in their sixties. Building on the success of his previous film “Suk Suk,” Yeung crafts a melancholic yet soothing tale that delves into themes of grief and acceptance. While some may expect a sharper focus on societal issues, the film offers plenty of poignant insights in its own gentle way.
A Love That Withstood the Test of Time
Angie and Pat have been together for over four decades, enjoying a settled and loving relationship. As older partners, their non-traditional love story is accepted without question in their neighborhood. Pat, the more outgoing of the two, has managed their finances wisely, ensuring their comfortable living. She has even supported two members of their local lesbian community in starting a successful florist shop. In a tender moment, Pat shows Angie how to navigate a messaging app, highlighting their closeness and mutual support.
A Family Affair
As they prepare for a family gathering to celebrate the Mid-Autumn Festival, Angie and Pat visit the market together. Pat’s extended family, including her older brother Shing, his wife Mei, and their children, fill their home with joy and laughter. Notably, Angie shares a special bond with Shing, who has faced professional setbacks. As the night ends, it becomes clear that Pat and Angie are the fortunate ones in this loving tribe.
When Grief Gives Way to Struggle
However, tragedy strikes when Pat passes away unexpectedly, leaving Angie in a state of profound grief. As the legal implications of their unwed status come to light, Angie finds herself at odds with Pat’s family. They turn against her, motivated by their legal rights and the harsh realities of Hong Kong’s property market and limited social support systems. In the face of her anguish, Angie becomes acutely aware of the callousness of the world around her.
A Compassionate Exploration
“All Shall Be Well” takes a measured and compassionate approach to portraying the complexities of grief and societal injustices. While the film’s broad spectrum of empathy is commendable, it occasionally lacks the boldness needed to demand change. Yeung’s style eschews anger, opting instead for a plea for understanding. However, in a world where acceptance and equality should be the norm, this tender drama reminds us of the urgent need for progress.
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