Image: 
The nominees for the animated feature Oscar this year have revealed a clear trend: 2D and 2D-influenced animated films are taking center stage during awards season.
The Return of 2D Animation
Among this year’s nominees, “The Boy and the Heron,” “Nimona,” “Robot Dreams,” and “Spider-Man: Across the Spider-Verse” all employ traditional 2D techniques or other methods to create a 2D aesthetic. Even the CG film “Elemental” incorporates 2D influences in its diverse environments. The recognition of 2D’s impact seems to be a response to CG animation’s long dominance of the industry.
Evolving 2D Animation
Modern 2D animation has evolved beyond the cartoons of the past. Filmmakers now have access to new techniques that allow for the creation of visually stunning and emotionally compelling stories. Often, a 2D look is chosen for its ability to target mature audiences or tell complex, multi-layered narratives.
“Spider-Man: Into the Spider-Verse,” the predecessor of “Spider-Man: Across the Spider-Verse,” seamlessly blended CG animation with hand-drawn techniques, resulting in a unique visual style reminiscent of comic books. This innovative approach set a new standard for 2D-inspired animation.
Pushing the Boundaries of 2D Animation
“Spider-Man: Across the Spider-Verse” pushes the boundaries even further by featuring six different animation styles. From hand-cut and pasted to the futuristic world of Spider-Man 2099, the film explores various artistic expressions. The directors aimed to create a 2D animation experience that would resonate with both children and adults, challenging the notion that animated films are only for kids.
Embracing 2D for Storytelling
Other nominees, such as “Robot Dreams” and “Nimona,” also embrace 2D animation as it aligns with their respective stories. “Robot Dreams,” based on a graphic novel by Sara Varon, utilizes a simple, sharp-lined 2D animation style. The touchstone of hand-drawn animation, Miyazaki’s “The Boy and the Heron,” is also an example of the enduring appeal of 2D. Producer Toshio Suzuki believes that audiences will always love 2D because of its personal touch.
Influential Legacy of Miyazaki
Many filmmakers, whether working in 2D or CG animation, consider Hayao Miyazaki and his approach to 2D storytelling as a lasting influence on their work. The emotionality and beauty of Miyazaki’s films resonate deeply with animators seeking to move and touch audiences. His films, like “Spirited Away,” showcase the warmth and specificity that 2D animation offers.
A Trend That Continues
This year’s 2D animated feature nominees are not an anomaly. Looking back at previous years, there has been a shift towards a more diverse range of animation styles. CG-focused films have been outnumbered by stop-motion and hybrid 2D films heavily influenced by multiple animation styles. This trend can be traced back at least a decade, coinciding with the last time a Miyazaki movie was nominated in the animated feature category.
A Yearning for Authenticity
Helmer Jeff Rowe, whose film “Teenage Mutant Ninja Turtles: Mutant Mayhem” received multiple award nominations, believes that the desire to explore 2D animation is a reaction to the saturation of CG animation in recent years. Filmmakers are seeking a different, more human look that carries the individual touch of its creators.
An Ever-Changing Landscape
While style trends undoubtedly impact the look of animated films, many filmmakers view the evolving styles as part of the creative process. Ideas often demand new tools and techniques that must be developed to bring characters and locations to life. The goal is to maintain the spirit of animation, from the hours spent sketching in their rooms to the time-consuming process of hand-drawn animation.
The Timeless Appeal of 2D Animation
Toshio Suzuki believes that the resurgence of 2D animation stems from its ability to offer filmmakers various ways to express themselves, despite the time commitment it requires. His collaboration with Miyazaki over the years is proof of the enduring allure and artistic possibilities of 2D animation.